Close-up of crushed ice with a frosty, translucent appearance.

Silent Compositions - DigitalNature

Snæfellsjökull Part I

What does it mean to listen to nature?

I’ve often asked myself how to translate the sounds of wind, ice, and shifting earth into music. Can a theremin echo the pulse of a glacier? Can digital textures carry the memory of a volcanic breath?

Snæfellsjökull Part II

I try not to imitate nature, but to be guided by it. To let it shape the way I listen, and the way I create.